Archive for July, 2010

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7.5 Different kind of Artistry

July 26, 2010

A few weeks ago my dad dropped off a dresser from when I was a little kid.  Of course it had scribbles all over it and the wood was unfinished. 

I wanted to paint this dresser a dark, dark red – almost black – with just a hint of a fiery red color, and trim the dresser with ‘gold’ around the outside of each dresser front.  I was open to other hues of dark almost black as well, but red was my favorite idea.

Here are my initial paint chip samples from local big box hardware store:

None of these choices matched the vision in my head for this piece.

Apparently the two blacks on the right side, one of which is a green tinted black and the other which is a purple tinted black are the only really really dark colors of anything they have there premade.

So I went back to the big box store and told them this was my great compromise and idea.  Let’s put the red that I loved that was not too purple and the black and mix them together equally.

 

They said no.  They cannot do that. 

WHAT?!

Now I am a quilter and I work with fixed colors of fabric and so I get when you have a blue piece of fabric and a red piece of fabric you cannot create a purple piece of fabric by sewing them together.  That’s because the colors are fixed into the fabric. 

But paint?  Paint can be mixed.  

Hues/tints/shades can be changed fairly easily.  It’s not like I was asking them to take a piece of red fabric and make it black, I was asking them to mix two colors of paint together!

So this one employee asks if I had looked at everything they already had available and takes me to a section of paint chips that has some dark red/purples, and then I say, not what I am looking for, can we just mix them?  And then she gets another opinion from another employee, and then asks a third employee. 

So suddenly this other lady is trying to convince me that when you mix more black with red, you get a red/purple. 

Okay, she was just trying to say that without a specific paint chip, she didn’t want to get the color wrong and get sued by me for giving me the wrong color, or that if the shade wasn’t right, then it would take too much paint to overcorrect it, or that her bosses had said previously that they don’t mix colors without a specific color sample (or at all – I don’t know?) to match it against.  (I am just speculating here)

She was saying that I wasn’t worth the time to get the shade correct, or that mixing paint was impossible, or treating me like I didn’t know that when you mix red and black you should get a red/black - dark red - not a dark red/purple.

Can you tell I wasn’t all that happy when I left? 

I was convinced by the employee that either the purple or the red I originally came in with would be a good match for what I wanted, and so took home  a color sample of each of these colors.  (picture here doesn’t turn out correct color shades, the top is more purple and lighter, but my camera didn’t show that very well here)

Then proceeded to paint parts of the dresser to see which I liked better..

Well the red was too red and the purple was … purple …

Not happy with this.

So I scrapped the original idea and decided to paint it black with gold and red trimming details.   Driving back to the big box hardware store and I didn’t get the same hassle because I didn’t ask them to mix anything but the paint samples provided.

I got the black done and then it rained as I was just finishing the first coat of paint, and I haven’t been back out for the 2nd coat yet on it.  Haven’t done the drawers yet.  Haven’t started back up on it yet. 

Decided to mow the lawn instead.  Then my mower quit halfway done.  I should try to mow again today now I am not as upset at my mower.

Maybe tomorrow when I get off work I will work more on the dresser?  Perhaps.  I will need to cut out painter’s tape in the shapes that I want. 

This may seem like a departure from the original idea, but the dresser will be dark, but I will still have some color in it.  Looking forward to seeing how it turns out or if I will finish it.

Do you want to see the knobs I purchased for the dresser?

 

I am considering transferring this design on my detail work on the dresser.  I also have some shiny gold tempra paint that could cover the handles, but if it get used a lot, perhaps that’s not a great idea.

And what do I ultimately want to use the dresser for?  Storing fabric!

Of course.

The other fabric storing device I worked on this past weekend:

This is 1 1/2 of those small wire  mesh shelves.  I took the top pieces from ones I bought at target, and middle sections of ones I bought a year ago at walmart, and two sets of racks (6 total to get good spacing).  

I’ve always liked my racks before, but too much space between them meant that fabric was piled too high and hard to reach the bottom.

It was cheaper to buy two sets of racks than to send away online for more bare shelves.  Each shelf by itself cost as much as a complete new rack.

I hit a snag in the project when I pulled off the tops of the target purchased poles and there was no threading.  And another snag when the threading stayed half on the wrong side of my original wire walmart racks and half on the right. 

Good ‘ol needle nose vice grips to the rescue and the ‘frankenstein wire rack’ is ALIVE  – and looking very well in my studio/office.

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7.4 Home Sewing Front – Spectra Quilt

July 18, 2010

So I started playing around with EQ7 this morning.  I have successfully read through the entire user’s manual (at Jiffy Lube, during lunch breaks, falling asleep). 

I wasn’t at the computer while reading, but I at least have heard of the terms used in the program a little bit at this point.

I thought I had a good handle on how to navigate EQ7, and considering my experience in photoshop, thought that the whole thing would be a piece of cake to navigate.

Well, it’s OK, and I don’t know if it’s just my lack of experience or what, but I have been taking longer than expected to handle the navigation of the program.

You put everything you want to do in your sketchbook before you use it.  And then you have to color everything.  I haven’t even figured out how to color a block and then put it into a quilt that way – all i’ve used on colors is preset color choices and then changing them to colors I want.  But what if I chose to keep some blocks different colors (or the same) than what the presets? 

I did a drawing with freedraw (or some name I don’t remember) and used Serendipity to make it kaleidoscope, but then I couldn’t put my new kaleidoscoped block into another block. 

I suppose if I export the block I may have the control I want, but the program said that it couldn’t do what I wanted to at the time.

And I didn’t notice that the coin quilt block was there, and I was having a hard time with making my spectra quilt until I just imported each spectra as a photo. 

 

I didn’t know how to make a coin quilt from the start because that option wasn’t a preset (although I have been told there are coin quilt blocks available, I haven’t done that yet).  The way I set up my spectrum quilt to get this picture is:

  • Vertical Strip Quilt
  • 1st Block 4.5 inches
  • 2nd Block 1.5 inches
  • 3rd Block 4.5 inches
  • with a 1.5 inch border

This size may make a nice table runner, my overall size is 19.5 X 34 inches which fits the space I have wonderfully.  I didn’t have a sashing option by doing a vertical strip quilt style, and since this is based on a photograph this was overcome by making the sashing strips the size of my inner ‘blocks’.

I was hoping for some more help in figuring out exactly how wide each spectra would have to be, but I did the math and a little Dimensional Analysis (yes science, math and chemistry practice has come in handy here!) and played around with my quilt size to make the math easier and I have a lovely start on my spectra quilt – USING PHOTOSHOP. 

Sorry folks, but I had to go back to my old standby when I kept trying to zoom in farther and farther on my picture within the completed quilt and couldn’t get the thing to do what I wanted it to do.

 Having 10 years of playtime on photoshop probably made it easier to figure out how to get the program to behave better than a program I’ve had for a month and a half which I haven’t taken computer time to decipher yet.

To get the size of each bias bar accurately (which I am not doing by the way), I had to do the following photoshop steps:

  1. Set a grid up.  The grid is modified in Edit/Preferences/Guides,Grids&Slices.  I set up grids every 4 subdivisions every 4 pixels.  Using dots.
  2. Zoom in on my original picture far enough. 
  3. Pick some crazy colors 
  4. Set up the paintbrush tool to 1.0 pixel in size
  5. Each ‘dotted box’ I put a colored dot just along the side of the picture.
  6. Each 1 dot was green, every 5 dots was red.  Very tedious steps (5&6)
  7. Then I changed to a different color (blue) and every 2 red dots put a dot to the right (every 10 pixels)
  8. New color, every 20 pixels (two blue dots) put a dot (purple)
  9. New color, every 50 pixels (two and a half purple dots) put a dot (yellow).
  10. This made it easy to count the total number of pixels in each row, and gave me a fairly accurate idea of where in each row the colored lines were. 
  11. I had a total of 310 dots, so I made the length of the quilt 31 inches so that each inch would be 10 dots. 
  12. I really should go metric with the calculations from here, but no one sews a metric seam allowance.  If you feel the urge, I know that 2.54 centimeters = 1 inch, so you can do some more dimensional analysis to figure it out if you so choose.
  13. I put all these dots on a new layer in photoshop so I can move the layer around to each of the strips and ‘count’ where the lines are. 
  14. The strips are all about 1/10 or 1/5 of an inch finished, but I don’t have any bias tape makers that go that far, so I’ll have to get out my bias bars and use the thinnest one available. 
  15. I’ll approximate on the color values used for each color and perhaps vary the brightness at this point

This makes me happy that at least I am thinking about this project – AND I am using math – AND I am using dimensional analysis - something for which both chemistry and physics heavily prepared me.

But today, a sewing day, I worked more on my black and white quilt.  Black and white borders complete, sewed onto the quilt (measured heavily because of how I had to strip the setting trapeziods) and started on my ‘handdrawn celtic border corners’.  12 total.  1 down, 11 to go.

This, in no way, is a negative review of EQ7.  I haven’t discovered the possibilities yet on this. 

But it is a reflection that I need to use the things I can do with EQ7 and the things I can do with photoshop and put the talents together while I learn and play with the possibilities (and limitations) of both programs. 

I know people would like a podcast/review on EQ7, and I have to wait to know what is going on before doing so, but when I get to it, I’ll see if I can cook up something. 

It felt very nice to not only be creative today in the computer programs, but also very comfortable to be doing the math that I’ve been avoiding unnecessarily.  Incredible how odd that feels to say, but so very true.

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7.3 Podcast 015 – Reflecting on Broken Dreams

July 15, 2010

Podcast Feed


Another of the Self Reflection series of podcasts.

I have recently found some challenging examinations of a point in my life, and have been thinking about how much I have turned around from some of my dreams – ya know, the things that were once so important, and now are just a memory of what you wanted to do! 

If you don’t know what I mean, consider yourself lucky.

Afghan Dreams

I crocheted this afghan about ten years ago, wishing to create afghans for everyone.  How did that turn out?  I haven’t touched the ‘steel hooks’ for several years.

The Quilt University Dream

This is as far as I ever got on the fractal class.  Design phase only.  Might make a nice unique quilt.  But to do that, I have to actually ‘take the class’. 

Take a stitch on foil and all the other quilting directions.  I’d love to see the finished project, but first I have to start it.

The Career Dream

After muddling around as a youngster, I wanted to work with NASA.

Image courtesy of Wikipedia

Not as an Astronaut, but as someone at mission control.

Image courtesy of Wikipedia

However, my most realized career dream is to work at a science museum.  Hasn’t happened yet. 

Do I give up on it or do I keep going for it, or do I change the dream to something similar, such as teaching science to unsuspecting quilters and crafters?

Thanks to (all) my commenter (s)

Rachel, Robyn, echo_quilter, ann marie

Extra music

Other musical selections by

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7.2 What are your broken dreams?

July 5, 2010

Do you have broken dreams?

Have you ever faced a time when you knew you didn’t want to keep doing what you were doing, but at the same time didn’t know what you wanted to do instead?

Or did some other circumstances force you from doing what you really wanted to do?  In your career?  In your goals?

Did you want to learn something and were not able to do so (such as knitting, or a quilting process) no matter how hard you tried?

Did something you did as a career interfere with your quilting and crafting goals?

Or did you have such an amazing career or experience that it completely inspired your quilting goals?

Did you ever bomb a class that you wanted to take and do well on?

Did you overcome your broken dreams?  If so how?

Do you have broken dreams?  Would you like to share something that would be put on the podcast?

Comment below, or comment at the Big Tent or send an e-mail to scientificquilter (at) gmail (dot) com

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